Ricardo de ungria biography sampler examples

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To browse Academia. Alegre and Doreen G. Fernandez, de Ungria's book is credited to him, the editor, for the research, interviews, and selection of works that best represent the featured writers. The judges at the National Book Awards recognize the effort and describe the book as: [A] lively set of dialogues with local writers and its meticulous work of documentation are such an impressive and laudable effort to recover the writers' memories of their craft, fashion a knot of lesserknown but nonetheless significant local histories, and weave them into the larger frame of our national imagining.

It survived the military junta of Jorge Rafael Videla and closed its doors during the neoliberal turn in The first print runs did not fall below 20, copies and, according to the materials seized during the last military dictatorship, the confiscated volumes numbered up to 3,, copies per title. Recognizing in the archive that the Mariano Moreno National Library began to build in the marks and traces of the publisher and their meaning allows us to evoke, through an operation of re-enunciation, the symptoms of the memory of the dictatorships that devastated the second half of the 20th century in the entire Latin American region.

The construction and circulation of the Latin American Editor Center archive is understood as a practice, that is, as an operation to transform editorial knowledge, technologies, and policies that enunciate and perform on a diaphanous present for the publishing industry in Argentina. The materials that make up the archive of the Centro Editor of Latin America, the present ones—the documents on the constitution and judicial persecution of the company, the correspondence of the workers, the printing plates, the color proofs, the interviews, the design of the collections, and the newspaper articles, and the absentees: the disappearances of the workers and the deposit burned in under the subversion judgment—have offered resistance to the practice carried out by the National Library, forcing it to fill the gaps in knowledge and to develop enunciation in a manner befitting the present: curatorships and montages of exhibitions on the good praxis of the editorial are accompanied by interventions in the urban environment.

The practices—theoretical, material, and political—which re-enunciate about the Centro Editor of Latin America are practices that make memory and that seek to build denunciations that resist historical revisionism and denialism regarding the responsibilities and crimes of the military junta, even today, in court. The archive of the Centro Editor of Latin America, in this sense, is not only the enunciation of that memory of destruction which it tries to remember but, above all, an action with its own syntax that can act on an editorial and collective present.

The British Journal for the History of Science, vol.

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Without a reader, literature does not exist. Literature, therefore, is a communicational act with an emitter the writer , a receptor the reader and the reading public , and a message that is the work itself. From a legal point of view, the work and the author exist even without a recipient; the mere expression of an original idea fixed in a tangible medium generates intellectual property.